![]() ![]() * ALL COLOURS are intermixable, but for classic mixing some work better than others. * Viscocity / Liquidity when molten: thicker - regular - thinner * Lightfastness : 5 = excellent 4 = very good 3 = good 2 = limited 1 = poor These minor differences of hue are acceptable within the general concept & usage of encaustic art wax as a molten creative material. * Exact shades of many colours can vary from one production batch to the next. Wax colours : click any of the 48 colours Warn customers, by labelling, that the wax artwork should not be displayed in direct sunlight once glazed! Melt point around 65 Celcius. The framed artwork with a space between the wax colours and the glass. In other situations it is better to glaze Ideally the wax artwork can be displayed open to the air, but only This is usefulįor situations where abrasion of the surface might occur - e.g. To add a protective acrylic layer to the surface if desired. No coatings or varnish are necessary, but there is a wax sealer available Use a soft folded tissue pad or soft cotton fabric old tee shirtsare good - some people even use old nylon stockings or tights! Use of hot implements can cause skin burns!įinishing artwork created with encaustic art wax blocks - the ideal is polishingĮncaustic Art Wax Blocks polish when cool, to a pleasing sheen. ![]() ![]() They bear the CE mark whilst in the USA the waxes carry the CL label which indicates safety in the material but caution in its use - careless USA safety standards and far exceed all legal requirements. All the pigments are chosen to comply with European and The mix the colour fastness could be lessened and some fading of hue may However, where pastel colours are formed and a lot of white is used in The Encaustic Art Wax Blocks are made with pigments that are tested It is a measurement of the amount of fade caused by exposureīlue Wool Scale ( 0 - 8 ) & Lightfastness ratings used below ( 1 - 5 ) The blue wool scale runs from 0 to 8 and rates worst fade as 0 and best Some pigments are less constant and will fade through time. The colour (hue) of the pigment may be very stableĪnd durable over a period of time and is then considered lightfast or ![]() This dirt is ground into fine powder then mixed Pigments - could be described as the right coloured dirt (dyesĪre not pigments). Silicia – liquitidy improvement, thickening agent. Glycerine Palmitate / Stearate - Stearic acid is used to harden the wax formulation and is made out of vegetable fats. It also improves the polishing shine of the wax.Įncaustic Art blocks use one that melts at 68 C - a by product wax of oil origin, this wax type offers adjustment to the melting point and the viscosity of the wax as well as the heat curve that affect the way the wax congeals back into a solid. In the encaustic art blocks is used to decrease the viscosity (make it run more easily when molten).Ĭarnauba Wax - melt point about 80C - A natural plant wax of golden colour included to raise the melt point, add a little hardness. It is cheap (often used in candle making and has a lower melting point of aroundĥ5✬ (131✯). Paraffin Wax - has a cloudy transparent colouring, is manmade andĭerived from oil. Some definitions require its inclusion for a mixture to be a true encaustic It is the basis of all the Ancient's encaustic paints and Pollens and oils affect the odour, colourĪnd nature of the wax, but generally speaking beeswax melts at about 62✬ Ingredients in the formulation of Encaustic Art Wax Blocksīeeswax - is a natural product containing many ingredients derivedįrom the locality of its origin. Good responsive handling characteristics are combined with radiant colours, some soft & gentle, others vibrant & powerful. How it behaves whilst in these completely different states. Our interest lies in how wax changes from a solid to a liquid & ![]()
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